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• Published on: 1937
• Binding: Paperback

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• Sales Rank: #5356087 in Books
• Published on: 2000
• Number of items: 1
• Binding: Hardcover
• 60 pages

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Hailed as “a classic. . . . humorous, full of warmth and real invention” (The New Yorker), this beloved story--first published more than fifty ago--introduces readers to Milo and his adventures in the Lands Beyond. 

For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

Features an appreciation by Maurice Sendak, award-winning author of Where the Wild Things Are!

“I read [The Phantom Tollbooth] first when I was ten. I still have the book report I wrote, which began ‘This is the best book ever.’”—The New York Times

“The Phantom Tollbooth is the closest thing we have to a modern Alice in Wonderland.”—The Guardian

“The book lingers long after turning the final page. . . . A classic indeed.” —Los Angeles Review of Books

“You loved the humor and adventure . . . and [now] you’ll marvel at [the book's] wit, complexity, and its understanding of how children perceive the passage of time.” —Entertainment Weekly

• Sales Rank: #919 in Books
• Brand: Random House
• Published on: 1988-10-12
• Released on: 1988-10-12
• Original language: English
• Number of items: 1
• Dimensions: 7.60" h x .70" w x 5.18" l, 1.23 pounds
• Binding: Paperback
• 272 pages

Features

• childrens book

Amazon.com Review
"It seems to me that almost everything is a waste of time," Milo laments. "[T]here's nothing for me to do, nowhere I'd care to go, and hardly anything worth seeing." This bored, bored young protagonist who can't see the point to anything is knocked out of his glum humdrum by the sudden and curious appearance of a tollbooth in his bedroom. Since Milo has absolutely nothing better to do, he dusts off his toy car, pays the toll, and drives through. What ensues is a journey of mythic proportions, during which Milo encounters countless odd characters who are anything but dull.

Norton Juster received (and continues to receive) enormous praise for this original, witty, and oftentimes hilarious novel, first published in 1961. In an introductory "Appreciation" written by Maurice Sendak for the 35th anniversary edition, he states, "The Phantom Tollbooth leaps, soars, and abounds in right notes all over the place, as any proper masterpiece must." Indeed.

As Milo heads toward Dictionopolis he meets with the Whether Man ("for after all it's more important to know whether there will be weather than what the weather will be"), passes through The Doldrums (populated by Lethargarians), and picks up a watchdog named Tock (who has a giant alarm clock for a body). The brilliant satire and double entendre intensifies in the Word Market, where after a brief scuffle with Officer Short Shrift, Milo and Tock set off toward the Mountains of Ignorance to rescue the twin Princesses, Rhyme and Reason. Anyone with an appreciation for language, irony, or Alice in Wonderland-style adventure will adore this book for years on end. (Ages 8 and up)

Review
" I read [The Phantom Tollbooth] first when I was 10. I still have the book report I wrote, which began 'This is the best book ever.'"
--Anna Quindlen, The New York Times


"A classic... Humorous, full of warmth and real invention."
--The New Yorker

From the Inside Flap
Illustrated in black-and-white. This ingenious fantasy centers around Milo, a bored ten-year-old who comes home to find a large toy tollbooth sitting in his room. Joining forces with a watchdog named Tock, Milo drives through the tollbooth's gates and begins a memorable journey. He meets such characters as the foolish, yet lovable Humbug, the Mathemagician, and the not-so-wicked "Which," Faintly Macabre, who gives Milo the "impossible" mission of returning two princesses to the Kingdom of Wisdom.

Most helpful customer reviews

68 of 73 people found the following review helpful.
A delightful new edition
By E. Strickenburg
For those of us who grew up with battered and much-read copies of The Phantom Tollbooth, and who will never think the same way again about phrases like "jumping to conclusions," "half baked ideas," or "spelling bees," it's time to celebrate the 50th anniversary of this delightful book. The unforgettable adventures of Milo as he travels to the Land Beyond (in a car that "goes without saying") are being re-released in a beautiful hardback edition. The wonderful pen and ink sketches of Jules Feiffer still dot the landscape of the book, and a new foreword by the author tells the story of how this book came to be.

Adults for whom this book transports them back to childhood will particularly appreciate the wonderful collection of "celebrations" of The Phantom Tollbooth that appear at the end of the book. Some are written by respected children's authors, one is by a professor at Harvard Law School, another by a retired 5th grade teacher. Pulitzer prize winner Michael Chabon explores the importance of Mr. Juster's "acts of punmenship;" Maria Nikolajeva speaks of the crucial influence of this book on her life under the Soviet regime; Pat Scales reminds us to "Never underestimate the intelligence of children." Mo Willems opens his comments thus, "I have the great fortune to enjoy a regular occasional lunch with Mr. Norton Juster. Trust me, you need a great fortune to have lunch with Norton, because he never picks up the tab."

Fifty years after its original printing, this book is just as fresh and delightful as ever. Its word plays are just as surprising, its encouragement of curiosity and warning against ignorance just as pertinent. Whether you're starting into your fifteenth reading of this book or are one of the lucky readers picking it up for the first time, you're in for a treat.

0 of 0 people found the following review helpful.
Made us Happy!
By Mike & Ang
Our 14 year old daughter had to read this book prior to starting her homeschool coop in a few weeks. We received this item along with another in less than expected time and packaged as expected....perfectly. Our child started to read this as soon as it was delivered and has not been able to put it down. It is very well written and the spacing of the chapters makes it an easy read for her. I remember as a younger person reading this one and there are always things to pick up and understand even better as an adult. It is a classic and will be passed on to our others to read as well. It should be read over and over it is that good. Hope this review is able to help with your purchase.

0 of 0 people found the following review helpful.
The Phantom Tollbooth Rocks!
By Mary Jo Y.
I purchased the Phantom Tollbooth for a friend who had never heard of it. Really? I thought every Boomer had read this fantastic tale! It was first read to me, and the rest of the class, by my third grade teacher, Mrs Vadetskey. What a incredible journey Milo takes. Milo, a board little boy who is about to have his world turned upside down when he drives his car through the Tollbooth. My favorite has always been jumping to conclusions... I'll save the rest for you to discover. Just a great book!

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The Swiss Army Knife Owner's Manual is a 224-page paperback, with 96 color photographs. The chapter on repairs and modifications shows how to replace a scissor-spring and how to straighten a bent corkscrew, among other skills. In a chapter about improvisations is information on using the fishscaler as a range finder, the Phillips driver as a soldering iron, the can opener as a lifter of hot cans from the campfire... Just about everything you might want to know about the Swiss knife is in the book, from the history of the companies and the history of the tools and models, to some amazing stories of lives saved with the knife. There are even photos of an SAK with knapped glass blades and a mini-crossbow made from a Swiss Army knife.

• Sales Rank: #851731 in Books
• Published on: 2011
• Binding: Paperback
• 224 pages

Most helpful customer reviews

7 of 7 people found the following review helpful.
By far the best and most carefully crafted reference book-a work of passion
By Steven H. Dymond
As a lover of Swiss Army Knives, and simply intrigued by its history and variations, this book looked promising. It is in fact simply amazing in depth as well as breadth. Chances are that if you are even considering this type of book , you're part of the SAK (Swiss Army Knife) choir-well this is is the Hymnal.

Lets start with what is has: a great and interesting history on both Wenger and Victorinox, and a bit about Switzerland, all as they relate to the development of the knife we love; material and making of the knifes-with a great deal of specifics on hardness and other technical points-again told in an interesting manner; the development of the original Officers knife and how it came to the present models; the knife itself, including changes and progress, tools, shields the works!; how to use and care for a knife-and even if you've used knifes for decades, I promise you will learn something you don't know; comparing the Big 2 makers-objectively and beautifully; improvised uses and clever thoughts on tools and not so obvious uses; how to repair and modify the knifes; accessories, and again some clever easy to do helps; and true stories and tales of wonder-really good stories.

To those of us with short attention spans, or simply who love the aesthetic-and like to look at the pictures, there are LOTS of photos, and lots of comparisons of tools from both makers, as evolving over decades -perfect for the SAK geek, or even those that simply love the knife, or use it as a daily tool. Also, of interest, are photos of the myriad of imitations as well as counterfeits.

I received my copy late Friday and had finished it by Sunday morning. My overview of topics may sound on the academic side, but its simply an amazing book; this book is well written and not only interesting, but sometimes humorous. It gives detailed comparisons of the models and their tools, changes of names, comparisons and similarities between the makers, and so much more.

It is a reference guide, simply. And whats in store? How do you actually use a SAK as a soldering tool? How about a make shift cross bow? How about fixing it when you break it? How to sharpened it? The best part, this author has taken the time to have first hand knowledge of what he writes-astonishing first hand tests of tools, etc.

The book is nicely printed, with excellent photos and color quality too.

A word to the wise-get yours now-as word gets out this will be sold out.

6 of 6 people found the following review helpful.
Perfect companion for your perfect companion
By J. Nash
I've been a proponent of the little red knife for years along with many others. We have discussed forever a book like this and finally Mike Young has come through for us. The Swiss Army Knife Owners Manual is filled with history, technical information, and specs. Lots of great color photos that compare Vics and Wengers as well as the evolution of tools through different generations of each maker. I really like the charts listing the tools for different models. If you have carried a SAK for years or are just developing an interest you will enjoy and appreciate Mike's book. I got two.

3 of 3 people found the following review helpful.
A wealth of information.
By Trapdoor33
Having been in a collector and trader in a number of categories of weapons and armor, I found that this book is a wealth of information but it has proved a bit difficult to extract it.
The format of the binding (perfect-bound paperback) makes simply reading the pages a chore since it is so tight and the page material so heavy that you are constantly fighting to keep it open, particularly when you may have a knife in hand and want to compare it to the info.
Overall, it's a good book and apparently the only one of its kind available that goes into this much detail. I hope that in future editions, if any, the author might consult his publisher and perhaps consider larger pages with lighter weight stock.
I recommend it unreservedly to any fan of the SAK and its variants.

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AccordingtoFrancoisBancillonandWonKim[SIGMODRECORD,Vol.19,No. 4, December 1990], object-oriented databases started in around 1983. Twen- seven years later this publication contains the proceedings of the Third Inter- tional Conference on Object-Oriented Databases (ICOODB 2010). Two questions arise from this – why only the third, and what is of interest in the ?eld of object-oriented databases in 2010? The ?rst question is easy – in the 1980s and 1990s there were a number of conferences supporting the c- munity – the International Workshops on Persistent Object Systems started by Malcolm Atkinson and Ron Morrison, the EDBT series, and the International Workshop on Database Programming Languages. These database-oriented c- ferences complimented other OO conferences including OOPSLA and ECOOP, but towards the end of the last century they dwindled in popularity and ev- tually died out. In 2008 the First International Conference on Object Databases was held in Berlin. In 2009 the second ICOODB conference was held at the ETH in Zurich as a scienti?c peer-reviewed conference. What is particular about ICOODB is that the conference series was est- lished to address the needs of both industry and researcherswho had an interest in object databases, in innovative ways to bring objects and databases together and in alternatives/extensions to relational databases. The ?rst conference set the mould for those to follow – a combination of theory and practice with one day focusing on the theory of object databases and the second focusing on their practical use and implementation.

• Published on: 2010-12-09
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .40" w x 6.10" l, .61 pounds
• Binding: Paperback
• 161 pages

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[P191.Ebook] PDF Ebook In the Middle, Third Edition: A Lifetime of Learning About Writing, Reading, and Adolescents, by Nancie Atwell

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For all things In The Middle-including chapter-by-chapter sneak previews, blog posts from Nancie, videos of Nancie, and more -visit Heinemann.com/InTheMiddle

"The third edition of In the Middle is my invitation to English teachers, both veterans and novices, to understand writing and reading from the inside and recognize our potential to influence our students' literacy for a lifetime. Like the two that preceded it, this edition represents my current best set of blueprints for how I build and maintain a writing-reading workshop-the expectations, demonstrations, models, choices, resources, rules and rituals, pieces of advice, words of caution, and ways of thinking, planning, looking, and talking that make it possible for every student to read with understanding and pleasure and aspire to and produce effective writing."

-Nancie Atwell

With 80 percent new material, In the Middle, Third Edition brings Nancie Atwell's methods up to date. Nancie guides newcomers to a rich, satisfying practice while sharing her latest innovations and refinements with those who have made In the Middle their teaching touchstone.

Grounded in her classroom practice and in response to questions and requests from twenty years of professional development workshops, Nancie provides:

• detailed procedures for organizing the classroom for workshop teaching and a first-week launch sequence
• hundreds of minilessons and reproducibles that make workshop teaching inviting and doable
• hundreds of new pieces of student writing to use as mentor texts-many are national prize winners
• new, detailed genre studies of poetry, memoirs, reviews, essays, reportage, humor and homage, and short fiction
• a new look at writing conferences, including red flags to notice and strategies for responding to them
• techniques for conferring with individuals about the books they're reading
• a revamping of her widely-adopted literary letters as letter-essays that more than satisfy today's standards for critical reading

This is the chronicle of Nancie Atwell's courageous, compelling journey. Just as the second edition documented her evolution from 1987, this book shows how she continues to shape and refine her teaching, based on her perceptions of what students need and her growing knowledge of literature and the craft of writing. As Nancie describes it, "The third edition of In the Middle is everything I've learned over the past three decades that makes writing-reading workshop the only logical way to teach English."

• Sales Rank: #31594 in Books
• Published on: 2014-11-05
• Released on: 2014-11-05
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.40" w x 7.50" l, 2.30 pounds
• Binding: Paperback
• 640 pages

About the Author
Nancie Atwell is one of the most highly respected educators in the U.S. and across the world. She is the winner of the Varkey Foundation's inaugural Global Teacher Prize. She has dedicated the entire $1 million award to the Center for Teaching and Learning, the demonstration school she founded in 1990. Nancie's classic In the Middle, now in its third edition, has inspired generations of teachers and shares her teaching journey and the practices she's developed that led to her nomination. Visit Heinemann.com/InTheMiddle for more about the book and Nancie. Systems to Transform Your Classroom and School takes you inside her school to see what innovations have made the biggest impact on learning schoolwide, while her DVDs Writing in the Middle and Reading in the Middle give us a seat in her writing and reading workshops to see firsthand how she helps students become independent, sophisticated readers and writers. Nancie is also the author of classroom materials through Firsthand. Lessons that Change Writers is a year's worth of instruction straight from Nancie's file cabinets, while Naming the World helps teachers jumpstart their literacy teaching each day the way Nancie does - with poetry, the mother genre. Nancie teaches seventh- and eighth-grade writing, reading, and history at the Center for Teaching and Learning, a K - 8 demonstration school she founded in Edgecomb, Maine. Nancie was the first classroom teacher to receive the NCTE David H. Russell Award and the MLA Mina P. Shaughnessy Prize for distinguished research in the teaching of English. Nancie was recently named 2010 Teacher of the Year by River of Words; a California-based non-profit educational organization and also received an honorary degree from the University of New Hampshire during its 2011 commencement ceremony. Read Nancie's Education Week article in which she makes the case for literature in the core standards. To see and hear Nancie's response to the NY Times article on the place of student choice in reading, click here. Read the Article »

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Great purchase. Item as described.

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By Jpar
Excellent strategies for teaching grades 4-9 literacy. Easy to read narrative style. Concrete examples of how to establish a literacy classroom.

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Art can provide us with a sensory experience that provokes us to reconfigure how we think about our world and ourselves. Theories of art have often sought to find some feature of art that isolates it from the rest of experience. Keith Lehrer argues, in opposition, that art is connected, not isolated, from how we think and feel, represent and react. When art directs our attention to sensory exemplars in aesthetic experience of which we become conscious in a special way, it also shows us our autonomy as we represent ourselves and our world, ourselves in our world, and our world in ourselves. This form of representation, exemplar representation, uses the exemplar as a term of representation and exhibits the nature of the content it represents in terms of itself. It shows us both what our world is like and how we represent the world thereby revealing the nature of intentionality to us. Issues of general interest in philosophy such as knowledge, autonomy, rationality and self-trust enter the book along with more specifically aesthetic issues of formalism, expressionism, representation, artistic creativity and beauty. The author goes on to demonstrate how the connection between art and broader issues of feminism, globalization, collective wisdom, and death show us the connection between art, life, politics and the self.
Drawing from Hume, Reid, Goodman, Danto, Brand, Ismael and Lopes, Lehrer argues here that the artwork is a mentalized physical object engaging us philosophically with the content of exemplar experience. The exemplar representation of experience provoked by art ties art and science, mind and body, self and world, together in a dynamic loop, reconfiguring them all as it reconfigures art itself.

• Sales Rank: #1718498 in Books
• Published on: 2011-11-16
• Released on: 2011-11-16
• Original language: English
• Number of items: 1
• Dimensions: 6.10" h x .70" w x 9.10" l, .70 pounds
• Binding: Paperback
• 224 pages

Review

"Lehrer is a rare aesthetician; he is both an artist and an epistemologist. Moreover, he brings a feminist perspective to the process of understanding and appreciating art: one that explores and exposes the self as neither disinterested nor dispassionate but rather intimately connected to (and transformed by) the sensory experience of a work of art. We are the creators of our own aesthetic destinies: if only we allow artworks in, to work their magic in our worlds." --Peg Zeglin Brand, Indiana University

About the Author
Keith Lehrer is Professor of Philosophy at the University of Arizona.

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• Sales Rank: #5533733 in Books
• Published on: 2010-09-22
• Dimensions: 10.24" h x .71" w x 11.81" l,
• Binding: Hardcover
• 128 pages

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• Sales Rank: #4297161 in Books
• Published on: 2010
• Number of items: 2
• Binding: Hardcover

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• Published on: 1600
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• Brand: Brand: RADCLIFFE MEDICAL PRESS LTD
• Published on: 2012-09-30
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .50" w x 6.10" l, .75 pounds
• Binding: Paperback
• 160 pages

Features

• Used Book in Good Condition

About the Author
Helen Butler and Neel Sharma (ed) respectively, Academic Foundation Year 2 Trainee, North West London Hospitals NHS Trust, North West Thames Foundation School; Core Medical Trainee, Guy's and St Thomas' NHS Foundation Trust and Honorary Clinical Lecturer, Centre for Medical Education, Barts and the London School of Medicine and Dentistry

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KEY BENEFIT: Provides a broad survey of designing, implementing, managing, maintaining, training, and refining the user interface of interactive systems. KEY TOPICS: Usability of Interactive systems; Guidelines, Principles, and Theories; Managing Design Processes; Evaluating Interface Designs; Direct Manipulation and Virtual Environments; Menu Selection, Form Fills, and Dialog Boxes; Command and Natural Languages; Interaction Devices; Collaboration; Quality of Service; Balancing Function and Fashion; User Documentation and Online Help; Information Search; Information Visualization; Societal and Individual Impact of User Interfaces. MARKET: An ideal reference for HCI professionals.

• Sales Rank: #55646 in Books
• Brand: Shneiderman, Ben/ Plaisant, Catherine
• Published on: 2009-03-08
• Original language: English
• Number of items: 1
• Dimensions: 9.37" h x 1.12" w x 7.92" l, 2.40 pounds
• Binding: Hardcover
• 624 pages

From the Back Cover
[Software Engineering / User Interface]

Ben Shneiderman & Catherine Plaisant
written in collaboration with Maxine Cohen & Steve Jacobs


Designing the User Interface: Strategies for Effective Human-Computer Interaction provides a comprehensive introduction to the dynamic field of human-computer interaction (HCI). An expanded author team brings unparalleled industry and academic experience to this latest edition. Practical techniques, research-supported design guidelines, and a multitude of current examples and figures illustrate good design principles and practices, effectively guiding readers through their first HCI design projects.

The Fifth Edition addresses the profound changes engendered by user-generated content and social media participation, which increase the need for compelling user experiences. Topics covered include:

•    Current HCI issues, with balanced emphasis on mobile devices, the Web, and desktop platforms
•    Innovations in social media and social networking
•    Strategies for enhancing quality of user-generated content
•    Universal usability, sustainable design, and societal transformation
•    Spam, privacy, security, and other contemporary challenges
•    Internationalization issues and customization of consumer electronics
•    Recent research results and innovative commercial products

The Companion Website (www.aw.com/DTUI) includes quizzes, links, discussion questions, additional practice opportunities, and resources for both students and professors.

Visit www.pearsonhighered.com/cs for more information about Addison-Wesley computing books. To order any of our products, contact our customer service department at (800) 824-7799 or (201) 767-5021 outside of the U.S., or visit your campus bookstore.

Addison-Wesley
is an imprint of
PEARSON

Addison-Wesley Computing
Leading Authors • Quality Products

ISBN-10:  0-321-53735-1
ISBN-13:  978-0-32153735-5

About the Author

Ben Shneiderman is a Professor in the Department of Computer Science, Founding Director (1983—2000) of the Human-Computer Interaction Laboratory (http://www.cs.umd.edu/hcil), and Member of the Institute for Advanced Computer Studies and the Institute for Systems Research, all at the University of Maryland at College Park. He is a Fellow of the ACM and AAAS and received the ACM CHI (Computer Human Interaction) Lifetime Achievement Award. His books, research papers, and frequent lectures have made him an international leader in this emerging discipline. For relaxation he likes biking, hiking, skiing, and travel.

Catherine Plaisant is Associate Research Scientist at the Human-Computer Interaction Laboratory of the University of Maryland Institute for Advanced Computer Studies. She earned a Doctorat d’Ingénieur degree in France in 1982 and has been conducting research in the field of human-computer interaction since then. In 1987, she joined Professor Shneiderman at the University of Maryland, where she has worked with students and members of the lab, throughout the growth of the field of human-computer interaction. Her research contributions range from focused interaction techniques to innovative visualizations validated with user studies to practical applications developed with industrial partners.

 

Maxine S. Cohen is a Professor in the Graduate School of Computer and Information Sciences at Nova Southeastern University in Fort Lauderdale, Florida where she teaches graduate courses in Human-Computer Interaction (HCI). Before joining NSU, she worked at IBM in the User Centered Design department. Prior to IBM, she was a faculty member in the Computer Science department, in the Watson School of Engineering at the State University of New York at Binghamton. She has been teaching and working in the HCI field for over 20 years. She received a B.A. in Mathematics from the University of Vermont, a M.S. (specialization Computer Science) and a Ph.D. (specialization Systems Science) from the State University of New York at Binghamton.

 

Steven M. Jacobs recently retired from the aerospace industry and is now a lecturer at Northern Arizona University, Flagstaff, Arizona. He was formerly with Northrop Grumman Mission Systems in Carson, California. Mr. Jacobs managed engineers developing user interface and web applications software for various government and commercial applications. He was also Adjunct Assistant Professor at the University of Southern California for 17 years, where he developed and taught their graduate computer science courses in user interface design and human performance engineering. He has also taught short courses in similar topics for UCLA Extension and ACM.  He received his M.S.C.S. from UCLA, B.A. in Mathematics from Monmouth University (N.J.). 

Most helpful customer reviews

6 of 6 people found the following review helpful.
Excellent textbook for undergraduate and graduate HCI students!
By Jaime Sanchez
As a Human-Computer Interaction University Associate Professor I was delighted with the new edition of Designing the User Interface: Strategies for Effective Human-Computer Interaction (5th Edition).

It was entirely renewed and fully updated.

I have shared this textbook with my HCI undergraduate and graduate HCI students this semester and they liked it a lot and found it touches well and thoroughly current HCI issues!

Ben Shneiderman and Catherine Plaisant present and discuss timely most key HCI theories, concepts, ideas and applications.

I strongly recommend this book for academic and professional HCI courses.

4 of 4 people found the following review helpful.
Reasonably Good Information
By Lisa Shea
I've been writing computer code since the 1970s and have seen a wide variety of user interfaces - thermal paper rather than a screen, single-color displays, full color displays, mice, pens, keyboards, and other options. User interfaces are always changing and updating and being tweaked. With that in mind, I find it admirable that a book tries to document exactly what the current state of interfaces is - and not too surprising that the book can become obsolete the moment it comes off the presses.

So a portion of the book is common sense that can apply to creating interfaces in any decade. Your interface needs to be easy for a brand new user to use. It should provide "training wheels" for those new to the system, and then ease them into full use. A well done design should account for both elderly users and disabled users.

Various concepts are covered, like:

gulf of execution - mismatch between user's intentions and allowable actions
gulf of evaluation - mismatch systems representation and user's expectations

On one hand you could say these are good foundations for any designer to understand. You want to create icons that users understand without a thick manual. You want users to be able to quickly get the hang of your system and enjoy using it. But on the other hand, the book almost seems to assume that the user has never seen a keyboard or mouse before starting in to the topic. Surely readers know what a menu is, and how to navigate it. I'm all for books covering the basics and then going on to more complex topics, but the book wallows a little too much in those basics.

Also, the language tends to sway between incredibly simple and incredibly dense. Where the book teaches you to identify and speak to your audience, the book itself isn't able to do that well. Sometimes it assumes the reader is a visitor from the 1800s who has never heard of a computer, never mind tried to use one. Then a few pages later the page is describing a situation with incredibly technical language that is unclear even to experienced programmers.

Still, if we assume the purpose of this book is to give an overview about what things a designer should consider when creating a design, the book does that well. It has a variety of graphics drawn from current websites, that will help the content be understandable to web-savvy users. If you complain that some of the tips are extremely obvious, you can give that same complaint about just about any book you read. They have to include obvious tips as well as the advanced ones, so they cover all the bases.

So how to rate this? As an esoteric "overview of how computers should work" I give it 4/5 stars. It has generally accurate information, with helpful graphics, and while the language is sometimes oversimplified and sometimes obtuse, it generally is quite readable.

However, know going into it that the book is meant for this type of an overview. This is NOT a book I would ever give to any web designer or interface designer as a helpful tool to use and keep on the shelf. You can't flip the book open to a section to get tips on designing areas of your application. You can't scan through charts telling you what to do and what to avoid. While many other books are laid out well for this sort of purpose, Designing the User Interface is not.

When I read my many other books on computers and design, I amassed copious notes that I would use in my programming life. When I finished this one, I had accumulated barely a page of notes at the end.

9 of 11 people found the following review helpful.
Not sure what to say about this book
By Philip Schielke
I'm writing this as a computer science instructor, that had very LITTLE familiarity with this field before picking up this book.
The good: It's clear that the authors have a wealth of experience in the field. I actually like the bibliography at the end of each chapter. I'm making my students read some of the journal articles from there. Book covers a broad range of topics.
The bad: This book seems like less of a textbook and more of a survey of the entire breadth of the field. As a computer scientist I often found myself wanting more data, or more details on certain topics. Many of the "findings" of researchers are simply mentioned in passing, as in so-and-so discovered this. Many times I was yearning for more details. Other areas where I didn't want a lot of detail I got more than I wanted. As a die-hard computer scientist I found the book a bit touchy-feely and wishy-washy for my tastes. There seemed to be a lot of subjective statements, and opinions stated without accurately representing the other side. For example the author comes out very strongly against anthropomorphic design (which I tend to agree with), and makes sweeping statements about how users always prefer to NOT have this sort of design. Yet, research in using anthropomorphic interfaces in healthcare has shown that most users prefer such a design (at least in the limited domains of the research.) Many of the revolutionary discoveries in the book my students saw as common sense. (Granted it's hard to see that someone had to invent or discover certain design concepts that we take for granted now.) The students felt they were being talked down to by the author's and longed for more CS heavy material.
I've read journal articles by the first author and they read much better than most of the book. Perhaps it's a bad editing job on the book?
The ugly: The PPT slides provided by the publisher are TERRIBLE. Fonts are too small, misspellings, images with text are cut and pasted into the slides and the text becomes too small, and blocky if expanded. Information that is emphasized in the text gets one slide, whereas certain paragraphs in the book that are not emphasized get 4 or 5 slides. I cannot say enough about how bad the slides are.

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