Free PDF Art of Ramona Fradon, by Ramona Fradon, Howard Chaykin
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Art of Ramona Fradon, by Ramona Fradon, Howard Chaykin
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- For the first time ever the DEFINITIVE retrospective of Ramona Fradon's career will be presented in The Art of Ramona Fradon, highlighting the magnificent career of this artistic legend, with never-before-seen sketches. Interviewed by comic book legend Howard Chaykin, Fradon talks about her artistic career, accomplishments, and creations — from her early days at DC in the 1950's to her later work on Marvel's The Cat and Fantastic Four and DC's Plastic Man, Freedom Fighters, Super Friends, and more!
- Sales Rank: #1323193 in Books
- Published on: 2014-02-11
- Original language: English
- Number of items: 1
- Dimensions: 12.10" h x .60" w x 9.20" l, 2.27 pounds
- Binding: Hardcover
- 144 pages
Most helpful customer reviews
8 of 8 people found the following review helpful.
One of the greats
By David J. Hogan
The Art of Ramona Fradon is a handsome celebration of one of the finest--and most unsung--comic book artists of the 1950s, '60s, and '70s. This lavishly illustrated book-length interview, conducted by artist Howard Chaykin, is informative and often amusing. According to Fradon, the big issue during her DC career wasn't that she was a woman, but that she never had any particular affinity for comic books, particularly superheroes. Naturally, after a stint on DC's Gang Busters, Ramona segued into many years of superhero comics: Aquaman, Metamorpho, Plastic Man, Freedom Fighters, and The Super-Friends. And she did lively, engaging work every time.
The particulars of her drawing style are comic-book "classic": heroes with heavy jaws and wavy hair; heroines with big eyes and fabulous bodies; villains with permanent scowls below shelf-like brows. Bodies are captured in fluid, elastic motion. Fradon's work is superficially whimsical, but her figures have weight and mass, and like any good illustrator, she can draw anything: vehicles, architecture, natural landscapes, attire (she understands how clothing falls and drapes as well as any comics artist I've ever seen), imaginative weapons and science-fiction machinery--all of it. She's part Dick Sprang (the "good Batman artist" of the 1950s) and part Jack Cole, who, like Fradon, drew with great skill and considerable wit.
Fradon is a capable inker, but her work looked especially rich when inked by Charles Paris (who brought his sure touch to Sprang's Batman) and, much later, Bob Smith. (A couple examples of Ramona as inked by Vince Colletta aren't exactly horrifying, but you can see why she wasn't crazy about what he was doing to her pencils.)
The book is oversized and printed on sturdy, glossy stock. Interior design is smart and appealing. Pages of complete stories are arrayed across many spreads. Art is reproduced in pristine black and white as often as it is in color--and the black and white is gorgeous. Ramona is a fine storyteller, and the crisp b&w images highlight her affinity for shadow, and her splendid ability to "spot blacks"--to lay down black areas that give panels and entire pages drive and rhythm. Many latter-day sketches, inked pieces, and full-color commissioned works are also reproduced; likewise many examples of Ramona's 1980-95 work on the Brenda Starr newspaper strip. The strip was a grind for Fradon, and it's obvious from her comments that she got virtually no fulfillment from it. But it's handsome stuff, in the vintage Dale Messick style, but much better drawn! (The final Brenda Starr scripter, BTW, was the Chicago Tribune's Mary Schmich, who won the 2012 Pulitzer Prize for commentary. Fradon simply recalls her as "a journalist.")
The book has a generous selection of covers, but not all of them are Fradon's work. Simple I.D. captions note title, issue number, and year, but don't identify the artists. And that's my only complaint: Some readers will assume the work is Fradon's, and meanwhile, guys like Curt Swan, Nick Cardy, Gil Kane, Joe Kubert, Mike Sekowsky, Bruno Premiani, and others don't receive their due.
Fradon family photos that appear throughout the book are a special treat, and Ramona's description of her professional work as a Faust scholar is very intriguing.
In all, a must-have book for Silver Age fans, and anyone who appreciates superior cartooning.
8 of 8 people found the following review helpful.
Wonderful!
By Buffy
This is fun and informative book that is both a biography of Ramona Fradon and a showcase for her artwork. There is an in-depth Q&A with Howard Chaykin that runs through the book and lots of sample pages, covers and sketches. There's also a short biography of one of her main editors, Murray Boltinoff, as well as several other people Ramona worked with during her career. She is mostly remembered for her DC Comics work on Aquaman, Plastic Man and Metamorpho. My favorite is her Super Friends artwork from the 1970's. After that she worked on the Brenda Starr newspaper comic strip for fifteen years. I really enjoyed the Q&A format of the biography as it gives you a feel for her personality. The book is nicely printed on glossy paper and mainly full color throughout. For those interested in comic art of the past this is highly recommended.
1 of 1 people found the following review helpful.
... still a mostly dominated field altho women have made great strides in the industry
By C. Louis Wolfe
The comics field is still a mostly dominated field altho women have made great strides in the industry...lots of talent out there now. Needles to say I was totally unaware of Ramona Fradon n her work...until I purchased this book. What an amazing talent n in a time where there were very few female comic artists n writers. Once I looked thru the book I recognized many pieces of her glorious talented artwork. This is a well put together book. If you're a fan of female comic talent...or just comics in general, you'll most likely enjoy this book.
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